<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Devon Foster Music & Sound]]></title><description><![CDATA[Music and Audio Engineering for music, film, Television & events. We provide the sound gear. Able to work for the whole world.]]></description><link>https://www.devonfostersound.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Thu, 24 Sep 2026 18:13:44 GMT</lastBuildDate><atom:link href="https://www.devonfostersound.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Can Bad Dialogue Be Fixed in Post? How To Avoid The Situation All Together.]]></title><description><![CDATA[Obvious answer, yes and no. -At the end of this Blog I will provide a downloadable cheatsheet pdf- To the Director, the aspiring Production Sound Mixer, and the aspiring Post Audio Engineer, 	As a Production Sound Mixer, and a Post Production Audio Editor, nothing annoys me more than dealing with audio in which there is either; no captured boom audio, or poorly captured boom audio. Lavs are great, but should not be the main attraction. Do not take the easy way out and rely on lavs to do the...]]></description><link>https://www.devonfostersound.com/post/can-bad-dialogue-be-fixed-in-post-how-to-avoid-the-situation-all-together</link><guid isPermaLink="false">6ab1a78b92bad082c060fde8</guid><pubDate>Wed, 23 Sep 2026 21:09:23 GMT</pubDate><dc:creator>Devon Foster</dc:creator></item><item><title><![CDATA[What Materials To Give a Film Composer And When.]]></title><description><![CDATA[What resources a film composer wants, will vary project to project, and person to person. But, if you want to be a Director/ Producer that Composers are excited to work with again, then before asking what the composer wants, go ahead and share all these resources with them. Though what matters almost more than what you give them, is when you give it to them. Script Current picture cut Confirmation of picture-lock status Frame rate and timecode Temp music and reference tracks What the director...]]></description><link>https://www.devonfostersound.com/post/what-materials-to-give-a-film-composer</link><guid isPermaLink="false">6ab042eed590640036342007</guid><pubDate>Mon, 21 Sep 2026 21:24:29 GMT</pubDate><dc:creator>Devon Foster</dc:creator></item></channel></rss>